The ritual continues with The Making of Thriller, the 3rd album from Peter Fonda.
A gonzo selection of lo-fi ambient micro-soundtracks with extended visits to kraut, sampledelia, minimal techno and doom tropicana.
TMOT eschews the conventional instruments and processes in favour of spontaneous, hive mind composition and low budget, one-mic-in-a-room fidelity. The meaning is in the act itself.
Gone are the tense guitar-bass-drum blowout antics of the band's first 2 albums, replaced by the push and pull of vintage synths, tape machines, samplers and analog effects. The chimneys of our mind spitting out muck from city grime, part ecstasy and part nightmare.
A gonzo selection of lo-fi ambient micro-soundtracks with extended visits to kraut, sampledelia, minimal techno and doom tropicana.
TMOT eschews the conventional instruments and processes in favour of spontaneous, hive mind composition and low budget, one-mic-in-a-room fidelity. The meaning is in the act itself.
Gone are the tense guitar-bass-drum blowout antics of the band's first 2 albums, replaced by the push and pull of vintage synths, tape machines, samplers and analog effects. The chimneys of our mind spitting out muck from city grime, part ecstasy and part nightmare.
more loose and self-important version;
Caught like a wild dog in the guit/bass/drum death trap, Peter Fonda were forced to gnaw off the trapped limb.
Album 3, The Making of Thriller, documents Fonda's recent explorations of instruments unknown. It is a fast track between subconscious and witness...Fonda's 'Jam as magikal ritual' captured in it's most pure form yet.
The meaning is in the doing. The punk rock seance. If the question is "How does this thing work?" then this became the thing to work with. Nobody knows what none of these buttons do. Control is relinquished. Something in the failings, and errors, and squalls is a fleeting idea of something behind this mortal veil. A golden truth or at the very least a vaguely satisfying answer as to why we do what we do.

Peter Fonda with Altman Brooks
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